two poems | jack phillips

Luna’s Wolf at the Door

It takes a couple of weeks to pass through the sun/moon door begins to open on the Solstice and full swung on the first full moon, Janus/Jana male/goddess Dianus/Diana Sun/Moon two-face deity of the past

and the future and the present belongs to Luna (as Diana also called) known to the First Nations as variously She-bear and Mama Wolf attended by juncos – full moon on belly new moon on back pinky-beak dipped in daybreak –

she rounds the year through a deciduous door opens to a meadow through which we too shall pass swing open our hearts full-mooned ripened/stripped laid naked to wrap

ourselves in coyote-light, the closest we come to a wolf or bear when the Moon-she comes six days into January.

Spillover Poems

Blue

As with all creatures the flow of my veins carries a measure of tears in the flat hand of night but in this light the daybreak wears the skin of my dreams and holds me, not without her own sadnesses but in this light she reveals a softer shade of blue, liquid orange spilling over and through me.

Weight

The moon in heat plays with mating foxes and when they call it a night she throws cinders mostly ashen juncos flinty titmouses pyrite chickadees and cardinal sparks, finches. Passions fall on this maiden dawn when gravity proves an earthly lust the lyric physics of desire, pinkish lingua on paper in ink, the weight of devotion on snow.

Shadow

Canopies draw skylines then veins then a web then sutras stitch the thin waters of my eyes and the rest of me. Write bird-songs in the snow a thumb for a crow a pinky a chickadee frog-song in mud come spring. Be known by these woods one flesh among many make shadows with the same sun lay lyrics on the land.

Curve

While we sleep the earth rounds herself round having spun a morning verses slip into view. We wake on the curve – night trails into birdsong belly to dawn, saucering wanderers tuck and curl, mustering sun rolls over edges as pulls the westering moon, souls take the shape of daybreak bent in the middle and a little on the ends.

Seep

In-breaking wildness or other sort of poetic rupture makes a lesion some seek to heal (keep the savage at bay) but this stomate makes real the passage of breath. In this spring-fed belly blood-bound bone of bones gristle and grist the animal gush of our being gurgles a sylvan seep to write a lune, a crescent-shaped suture to hold the wound open.

Swamp

Autumn bleeds into Solstice the way poetry soaks before the ripple but comes as wordless breath that vanishes on composing. Morning swamp-to saunter taking pause on recumbent ash soft awash in pondish laughter, bull-rushes murmur rose hips so tangy to the tongue, the first word.

Nuthatch

Even on this sharp dawn eleven days into the solar year a thousand eyes shine images creaturely windows into waking being. We can deny our true bodyselves but here in cold wildnesses not so, stirring earth into bluey-black comes orange her original skin and ours.

Mud

The daughters of Atlas escape Orion in chase and to the west the crescent cup fills with leaking daybreaks, at dawn spills claytonia fairy-spuds and fawn-lilies asters in the meadow moonseed by the creek, a galaxy on the belly of a toad, map of heaven in mud.

Previous
Previous

to whom or what or where | shyla shehan

Next
Next

sonar | michelle quick